BA (Hons) Fashion Design with Promotion

'We Still Burn Her'

This collection has been grounded in my interest in sustainable botanical dyeing. My attraction to this method is from the historic dyeing tradition in Ireland, which was viewed as a respected specialised field for women, stemming from the use of herbal medicines and healers. My fascination began in childhood, watching demonstrations of these techniques at the Ulster American Folk Park. I formed a new appreciation for nature after moving to New York and viewing the contrast of the nature in the city being enclosed by a concrete cage. This allowed me to reflect on those women accused of witchcraft for being well respected healers, when many were simply independent and outspoken women. I was inspired by the vilification of women throughout history and how previous generations embraced or repressed their identities and paved the ways for the future. The name of the collection, “We Still Burn Her” comes from one of my biggest inspirations behind the collection, Christy Moore’s cover of the song “Burning Times” and the line “Now the earth is a witch, we still burn her”.

Design inspiration, the Celtic wheel of the year, the role the catholic church had in the witch trails, baroque art and architecture, the suffragettes, the women’s liberation movement of the 1970s and strawmen in Agatha Christie’s Pale Horse.   Design development pages and final print design, shown on Marlene Dietrich  
Mood board showing textures, colour and desired aesthetic for the collection. Fashion illustration for final collection line-up and final fashion flat illustrations
A collage of the dyeing process for this collection. Irish linen is naturally dyed using rust dyeing techniques. Organic silk organza is rust dyed and ice dyed using natural pigments. Using natural dyeing techniques ensures the reduction of harmful chemicals that usually would end up in water supplies in the conventional dyeing process while using natural, and local fabrics significantly reduces carbon footprint
Rust dyed and pleated trousers made from local Irish linen and crocheted sweater vest made from naturally dyed alpaca wool and pearls from upcycled jewellery.  Vest is inspired by traditional menswear while pleated trousers were inspired by 1970’s flares
Laced mini dress made from local Irish linen, inspired by the depictions of the millions of women bound and trialed for witchcraft, the 1970s punk movement, and lingerie
Oversized suit with original print design consisting of trousers made of Irish Linen, cropped shirt with tie and oversized blazer digitally printed locally (Pixalili) on a cotton/linen blend. Inspired by traditional menswear, Marlene Dietrich, and 1980s power suits

Irish linen blazer naturally rust dyed and layered skirt made from deadstock organza
Dress made from a mix of original print and hand dyed linen to form a corset top and a layered, hand dyed, silk organza skirt

Mayfire Branding

My brand name, Mayfire, derives from the English translation of Beltany, inspired by the Beltany Stone Circle in my hometown of Raphoe. The logo design is inspired by the standing stones in Beltany

Main logo in the brand’s new colourways, with alternate version without text to be used in packaging(stickers etc.)
Label design
Business cards, using logo as pattern for back of the cards
Swing tag design
Packaging design.Continuing to bring in the circle motif but in a simplified way for packaging tape or tissue paper
Showing how branding could be used on promotional items, in this case branded match boxes for the promotion of my collection “we still burn her”